Wednesday, July 21, 2010

Pizza, Dead Bodies and the Creativity of Limitations

In this bloutcher:
  • Response to "Welcome to My Bloutcher(TM)."
  • Pizza, Dead Bodies and the Creativity of Limitations
  • Announcements
  • From my sketchbook: Self Portrait Done from Car Mirror While Waiting (Again) for Karen
What a great response to "Welcome to My Bloutcher(TM)."

Thanks for all your wonderful feedback on the maiden voyage of my bloutcher. It seems to have hit a cord. And has raised a few very serious questions.

Jeff Weinberger wants to know: "Is the act which defines writing a bloutcher bloutching? C
an we conjugate a new verb 'to bloutch?' Can I kvetch when I bloutch?"

Howard Stone has inquired: "Is bloutcher now an official scrabble word?"

These are serious questions which I need to ponder. As always, your thoughts are welcome.

How Bloutcher?

BL
ogjOUrnalskeTCHbooknewslettER = Bloutcher. Rhymes with Voucher.


Pizza, Dead Bodies and the Creativity of Limitations

A good friend of mine, Frances Caravana, recently sent me the following story.

An old Italian lived alone in New Jersey. He wanted to plant his annual tomato garden, but it was very difficult to work, as the ground was hard. His son, Vincent, who used to help him, was in prison. The old man wrote a letter to his son and described his predicament:

Dear Vincent,
I am feeling pretty sad, because it looks like I won't be able to plant my tomato garden this year. I'm just getting too old to be digging up a garden plot. I know if you were here my troubles would be over. I know you would be happy to dig the plot for me, like in the old days. Love Papa

A few days later he received a letter from his son.
Dear Pop, Don't dig up that garden. That's where the bodies are buried. Love Vinnie

At 4 a.m. the next morning, FBI agents and local police arrived and dug up the entire area without finding any bodies. They apologized to the old man and left.


That same day the old man received another letter from his son.
Dear Pop Go ahead and plant the tomatoes now. That's the best I could do under the circumstances. Love Vinnie

This story reminded me of what the late great Gene Cohen called "practical creativity." Cohen provides another illustration in his book The Mature Mind.

His in-laws, both in their seventies, found themselves emerging from a Washington, DC subway into a raging snowstorm. Since it was rush hour there were no cabs to take them to their dinner host's home. Gene's father-in-law noticed the steamy window of a pizza shop across the street so the couple trudged through the slush, stepped to the counter and ordered a large pizza for delivery.

When it came time to pay he said, "Oh, there's one more thing."

"What's that?" asked the puzzled cashier.

"We want you to deliver us with the pizza."

Now that was brilliant. And the pizza cost less than the cab ride--even with the tip!!

These two stories got me thinking. We often assume that creativity thrives when it does not have any constraints imposed on it. Where our creative instincts are freed from limitations and allowed to soar unfettered in whatever direction they choose. The reality may be quite different, however. Creativity may derive from just the opposite. Try this. Creativity sprouts when it is faced with limitations, sometimes severe limitations. Limitation, not freedom, is its birthplace. It is the very nature of creativity to be born out of the tension between perceived and real constraints and the need for new possiblities. Vinnie, of course, had severe limitations.

In fact, the jail bars are a kind of metaphor for the way we are all imprisoned in some form or another by ours assumptions. The presence of the prison walls created a basic tension and inspired an entirely new approach. Vinnie turned his imprisonment into an asset. He knew the feds would bite because he knew what their assumptions were. So, unable to physically help his father, he ingeniously converted your everyday U.S. Postal Service into a co-conspirator. And bite they did!

And what about Gene Cohen's in-laws? They were surrounded by limitations. The inhospitable weather. The absence of taxi-cabs. It was the very severity of these limitations that led them to such an inventive (and cost effective) solution.

So what can we glean from Vinnie and the in-laws? What are the critical elements that make creativity work when confronted by limitations?

  • Define the challenge--a clear understanding of the limitations one faces
  • Adopt a Possibilities Orientation--Using the limitations as an inspiration for creativity not an impendiment to it
  • Suspend Beliefs--Allowing data to come rather than judging it
  • Freshen Your Eyes--Leveraging what is commonplace in the environment in new, different ways
  • Play--Make it into a game
Send me examples of "practical creativity" you've encountered. Fred@fredmandell.com

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Announcements:

Join me on August 10th at the Brookline Booksmith for an Author's Talk and Book signing for Becoming a Life Change Artist; 7 Creative Skills to Reinvent Yourself at Any Stage of Life. Starts at 7 pm.

And if you are in the Denver area be sure to show up for my co-author, Kathy Jordan's, talk at the Tattered Cover Book Store, Highlands Ranch Location, August 12, 7:30 pm.

Note your calendars for September 13th at the Newton Free Library where Discovering What's Next is sponsoring an author's talk and book signing, beginning at 7 pm. Try to get there a few minutes early because I will have a special guest handing out some yummies. Clue: A Real Life Life Change Artist.

From my sketchbook:

I carry my sketchbook wherever I go. For one thing, I often find myself waiting for my wife Karen. If you know her you understand. On this particular wait I sketched myself staring into the car mirror. I could also have read a book which I often do but in this one moment the goofy expression on my face seemed to capture the existential recognition of hopeless surrender. I also ended up reading a book.

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Finally, please consider Becoming a Life Change Artist; 7 Creative Skills to Reinvent Yourself at Any Stage of Life as an interesting read for any BOOK CLUBS you are part of.

Thursday, July 8, 2010

Welcome to my Bloutcher(TM)!

Huh?

French philosopher Voltaire bloutchering at his desk in the 1700s.

So I looked up the following in Websters:

* Blog—personal journal with reflections
* Newsletter—small publication containing news of interest to a special group. If you’re reading this you’re special!
* Journal—a record of experiences, ideas, reflections kept regularly for private use.
* Sketchbook—a book of or for sketches. I’m assuming sketches can be verbal as well as visual.

So naturally I came up with the idea of a bl[og][j]ou[rnal][ske]tch[book][newslett]er. Bloutcher(TM). (Rhymes with voucher.) An all in one deal.


My idea is to combine personal reflections, news of interest (announcements, among other things,) ideas and experiences, and sketches both visual and verbal.

Why do I want to do this?

* I’m bored? Nope
* I’m self important? God, I hope nope
* I have something to say? That’s not for me to say
* Can’t help myself? Maybe
* To provoke? Probably
* I’ve never bloutchered before? You betcha
* To live my Creative Mantra? Definitely

(My Creative Mantra: Create, Integrate, Make a Difference)


It’s all about creating possibilities. For myself and others. Pushing the edge. Turning things upside down. Etc.

So what can you expect?

* News and announcements
* Commentary and reflections
* Provocative ideas
* Regular irregularity—that means not every day. Probably not even every week. But you’ll know I’m here.


Possible Bloutcher(TM) Content—At least, some of it.

* Creativity
* Transitions & Life Change
* Art and Life
* The Art of Life
* The Life of Art
* Leadership
* Innovation
* Aging Positively


In this bloutcher(TM)

* Announcements
* First Entry: Love, Hate and Truth

Announcements:

Becoming a Life Change Artist; 7 Creative Skills to Reinvent Yourself at Any Stage of Life will be released by the Penguin Group/Avery on August 3rd. To order an advanced copy go to www.fredmandell.com

I will be doing an author's talk at the Brookline Booksmith, Brookline, MA on August 10th at 7 p.m.

I am working on a creativity tool with Donna Krone called "Unlocking Your Creative Mantra." Should be ready by late August/early September.

My first entry:

Love, Hate and Truth

I have a love-hate relationship with Picasso. I love the way he constantly experimented with and reinvented his art. I hate his overbearing egotism. I love the incredibly human and sensitive figures from his classical period. I hate his personal streaks of meanness. I love his spirit of artistic playfulness and his willingness to take risks. I hate his sexual deceits and conceits. I love his quote-ability. He is probably the most quotable artist in history.

Picasso claimed that “Art is a lie that helps us to realize the truth.” Now it’s always dangerous to interpret what someone means but I think Picasso is speaking to the dynamic that a painting of something is not the same as the original something. For instance, a painting of a bouquet of flowers is not the original bouquet. In that sense the painting is a lie and the original bouquet is the truth. But he is also getting at the fact that the painting comes to be its own truth. It stands on its own two feet independent of the original subject. In some sense you can argue that Van Gogh’s famous painting of sunflowers is more sublime than the original sunflowers themselves. A painting helps us realize a new truth.


Last week I learned that Picasso was talking about life as well as art.

This was brought home to me while speaking to a woman who had been on a remarkable journey of growth and healing. She had been abused since childhood, fell into addictive behavior and ultimately straightened herself out and became a highly productive citizen. But she had recently (now in her mid forties) found herself stuck. In the midst of our conversation she suddenly said, “You know, who I am is not who I am.”

We both fell quiet at these words, silently acknowledging their apparent contradiction. How can you not be who you are? And then I realized she was not so much contradicting herself as she was speaking Picasso-ese. I haltingly offered: “Could you be saying who you are today does not represent who you are underneath—there’s another less visible you trying to come out. You want to create a new visible truth about yourself.” “Yes,” she said, “but sometimes I think it’s just too difficult to figure out how to do that.”

Since that conversation I have wondered how many of us arrive at a point where we realize we are living a representation of ourselves that is no longer who we really are. We have become what Picasso calls “a lie”—we are no longer aligned with what truly matters to us. The good news is that we can “realize” a new truth. That’s one of the things I love about Picasso. His art is an affirmation of new possibilities in life as it is in art. It may not be easy. But it’s true.

Check out the Events tab on my website (www.fredmandell.com) to see some of the events I will be speaking at. Let me know if you would like to attend any of them.

Oh, yes. Since this is my first bloutcher(TM) I would appreciate it if you would pass it on to others you think might find it interesting.